I photographed different artificial birds in front of an open landscape of Lake Ontario. I use the figure of the bird flying to refer to displacement, mobility, and the act of migrating. The diptychs are the images I used to make lenticular prints that would allow for anamorphic viewing as the viewer will see the bird in one place and position from one angle and another if we continue the path through the exhibit hall. The idea of how our perception depends on where we stand when observing others is continued in the eight double-faced birds' small images that the viewer can see through a transparent globe and that are accompanied by images that are traces of the past, the displacement, and what I have left behind.

Proyecto apoyado por el Sistema de Apoyos a la Creación y Proyectos Culturales (SACPC).